Film-Tech (III)

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tecnologia cine

     
NATIONAL 1SCHOOl.S‘* l.OS ANGELES 37, CALIF.
PRINTED IN U.S-A.
souun P|c1'um:é mm“-
L E S S O N N O. SP - 2
SOUND RECORDING ON FILM
- IN THIS LESSON HE ARE GOING TD DISCUSS A TYPE OF SOUND RECORDING,
WHICH IS ENTIRELY DIFFERENT FROM THE DISC METHOD ABOUT WHICH YOU LEARNED
IN THE PRECEDING LESSON. NOV, HE ARE GOING TO DISCUSS SYSTEMS IN WHICH
THE SOUND EFFECTS ARE RECORDED ON A STRIP OF PHOTOGFZAPHIC FILM; THE SAME
AS THE PICTURE ITSELF; SO THAT NO DISC RECORD IS REQUIRED‘
I
we GENERALLY REFER TO THIS METHOD ‘
or souuo RECORDING AS "Souuo-ON-F|LM" ‘
OR SIMPLY "FILM RECORDING". Two POPULAR
svsvzns EMPLOYING THIS METHOD ARE THE
WESTERN ELECTRIC ("Mov|:ToNE") AND THE
R.C.A. ("Pnoropuows "). ALTHOUGHBOTH
or THESE svsrsms RECORD THE souuo on
FILM, YET THE PROCESSES INVOLVED av
EACH ARE DIFFERENT. THEREFORE, THESE
Two SYSTEMS v|LLBE DESCRIBED SEPARATELY
IN THIS LESSON.
HOWEVER, BEFORE GOING INTO THE
DETAILED o|scuss|ou or EITHER or wuss:
svsrsns, IT us ADVISABLE THAT YOU FIRST
BECOME FAMILIAR HITH A u~\1, WITHOUT
HHICH NEITHER SOUND—ON—FlLM NOR TELE-
VISION WOULD as POSSIBLE. THE uunr IN
QUESTION |s THE PHOTO-ELECTRIC CELL.
BY sruovunc ITS coustaucruon AND OPER-
ATION AT THE azcuunune OF runs Lesson,
YOU HILL READILY UNDERSTAND ITS APPLI-
CATION TO souuo PICTURES AS vz PROGRESS F|e.
warn THE INSTRUCTION. Sruozuts WORKING on PROJECTOR



PAGE 2
SOUND PICTURES
PHOTO-ELECTRIC CELLS
Two D|FFERENl TYPES or :HoTo-ELEcTR|c cELLs ARE SHOWN |~ FIs.2 AND
THE SYMBOL FOR THE PHoTo~cELL, AS IT IS FREQUENTLY CALLED, as SHOWN IN
THE LOWER PORTION OF FIG-2- THE CELL
THE ACTIVE OR LIGHT—SENSITlVE MATERIAL
PLIED T0 A METALLIC COATING ON THE INNER SURFACE OF THE
FORMING THE CATHODE.
AT THE LEFT IS KNOWN As THE "V|s|-
TRON" PHOTO—ELECTRIC CELL AND nu
THIS cAsE, THE CATHODE CONSISTS or
A CONCAVE METAL SURFACE upon WHICH
A LIGHT—SENS|T1VE MATERIAL IS DE-
POSITED AND THE ANODE |s |~ THE
FORM OF A,CENTRALLY LOCATED WIRE.
BoTH or THEsE ELEMENTS ARE sEALEo
WITHIN A GLASS EuLE,wH|cH IN SOME
cAsEs |5'EVACUATED HH|LE IN OTHER
cAsEs BEING FILLED WITH some INERT
sAs, SUCH As HELIUM, AHsoH,oR NEON
AT Low PRESSURE. CELLs OF THE LATI
ER TYPE ARE GENERALLY REFERRED To
As BEING or THE GAS—F|LLED TYPE.
FH0H ITS OUTER APPEARA~cE,TH|s PH2
TO-CELL SOMEWHAT RESEMBLES A RADIO
TUBE.
THE PHOTO-CELL AT THE RIGHT
OF F|e.2 |s A "RAYTHEON" AND an
THIS cAsE,THE SHAPE or THE GLASS
BULB IS DIFFERENT AND THE ANQDE
TAKES THE FORM OF A METALLIC RING.
IN THIS RAYTHEON PHOTO—CELL as A5
cLAss BULB, THUS
A CIRCULAR PORTION OF THE GLASS, HOWEVER, IS LEFT CLEAR AND THIS
IS KNOWN AS THE "WINDOW" AND THROUGH THIS TRANSPARENT-PORTION, WE PASS
A BEAM OF LIGHT FROM THE OUTSIDE SOURCE- SO MUCH FOR THE CONSTRUCTION
OF PHOT0—CELL$ —‘ NOW LET US CONTINUE WITH THE DISCUSSION CONCERNING
THEIR OPERATION.
OPERATION OF THE PHOTO-ELECTRIC CELL
In FIG-3 wE HAVE A FUNDAMENTAL
PHOTO—ELECTRIC CELL CIRCUIT AND As
vou WILL NOTE, THE POSITIVE END or
A sATTERv IS CONNECTED To THE ANODE
or THE PHOTO-CELL THROUGH A H|cRoAH§
ETER AND RESISTOR WHILE THE NEGATIVE
END or THE BATTERY |s CONNECTED To
THE cATHouE SURFACE or THE cELL. THE
ANODE or THE CELL now connzspouos TO
THE PLATE or AN ORDINARY RADIO TUBE
AND THE CATHODE TAKES THE PLACE or
THE FILAMENT on cATHonE or A RADIO




LESSON no.2 PAGE 3
In ALL TYPES or RADIO Tuszs, WE nenznn uwon HEAT, IN ORDER TO OB-
TAIN AN EEEcTnon EMISSION Ann THE HEAT IS FURNISHED BY A FILAMENT cunn-
znr. In THE CASE OF THE PHOTO-CELL, wE HAvE no HEATING ELEMENT sul In
PLACE or THIs,ELEcTR0ns ARE EMITTED FROM THE CATHODE DUE To THE EFFECTS
or LIGHT RAYS STRIKING THE LIGHT-SENSITIVE SURFACE or THE cATHonE.
MANY SUBSTANCES WILL EMIT ELECTRONS WHEN PLACED UNDER THE |NFLU~
ENCE OF LIGHT BUT CERTAIN SUBSTANCES WILL EMIT MANY MORE ELECTRONS UN-
DER THESE CONDITIONS THAN OTHERS. ALKALI METALS OR ALKAL|—METAL HYDRI-
DES ARE QUITE SENSITIVE TO LIGHT RAYS AND AMONG THE MOST COMMONLY USED
ALKALI-METAL HYDRIDES FOR PHOTO~CELL PURPOSES ARE SODIUM HYDRIDE,POTASS-
IUM HYDRIDE AND CAESIUM HYDR|DE- THERE ARE STILL OTHER SUBSTANCES, WHICH
EXHIBIT PRONOUNCED EFFECTS WHEN SUBJECTED TO LIGHT RAYS BUT THOSE MEN-
TIONED ARE THE MOST EFFECTIVE MATERIALS, WHICH HAVE SEEN FOUND UP TO THE
PRESENT TIME- WE SPEAK OF THESE SUBSTANCES A5 BEING "LIGHT SENSITIVE".
SHOULD THE PHOTO-CELL OF FIG-3 BE PLA— sauna T?ack
I
CED IN ToTAL DARKNE$5,THEN THE MICROAMMETER
WOULD INDICATE no CURRENT FLOW BECAUSE no EL- ia; ‘"”§g§;
ECTRONS ARE BEING EMITTED FROM THE cATHonE = ‘
SURFACE- Now IF A BEAM or LIGHT WERE To as
DIRECTED To THE LIoHT~sEnsITIvE SURFACE or "
THE cATHonE, A STREAM or ELECTRONS WILL as E-
MITTEP FROM THIS SURFACE AND SINCE THE Anon: 3=<~;;§$£;;;;§C) I
Is AT A POSITIVE POTENTIAL, nu: Tn THE BATT~ ;;; @?§§§§
ERY CONNECTION, IT WILL ATTRACT THE EHITTEd §?*\'§§§§C3
ELECTRONS.THE RESULT IS THAT we HAVE A STREAM _"=w _H+H
OF ELEcTRoNs AT THIS TIHE FLOWING FROM THE j§§%a VEEECD
CATHODE oven To THE ANODE Ann THEREFORE CURR- v __H_H
EnT wILL FLOW THROUGH THE SYSTEM As INDICATED, ’I*.~~* ’“*““;3
K] UIU U U U U U O U U U U C
-1-:-I-I-I ‘Q-I-Ii‘-£ -£31-I-ii-I-I-I+Z-I-I-IT.‘-I-I  I-I'-Z£‘-I-J-I*I-Z-I-I'I-Ii-I-I
 _ ‘      
THE SAME As PLATE CURRENT FLOWS THROUGH THE $¢é%;A§;§§§;c3
CONVENTIONAL RADIO TUBE. ' I?
_»‘~;:a_
IF THE LIGHT BEAM Is INTENSIFIED, THEN §§§; _§ §§§C>
THERE WILL BE An INCREASED ELECTRON EMISSION ‘*§§§f\ §g§§§§
rnom THE cATHonE, ACCOMPANIED wITH A CORRE5- Dv¢'T?acg”{‘
PONDING INCREASE IN THE so CALLED "PLAT: cunn , ,
V H if — 
EHT" on PHOTO-CELL CURRENT; ThUS'IT Is SEEN FIG 4
THAT THE CURRENT FLOW WILL VARY As THE |NTEN- S¢=£kn o a Him as uszd
SITY OF LIGHT, wHIcH Is rocuszn upon THE PHO- 01 Eh: Amwkfane Q/am.
To-cELL VARIES.
THE PHOTO—CELL CAN as COMPARED vsnv NICELY To A MICROPHONE, FORTHE
MICROPHONE cHAncEs AIR PRESSURE VARIATIONS INTO ELECTRICAL CURRENT VAR-
IATIONS or CORRESPONDING FREQUENCY, WHEREAS THE PHOTO-CELL CHANGES LIGHT
VARIATIONS INTO ELEcTRIcAL CURRENT VARIATIONS or CORRESPONDING FREQUENCY
TH: CURRENT THROUGH THE PHOTO—CELL Is so SMALL THAT IT IS MEASURED IN Hi
CROAMPERES (H|LL|onTHs or An AHPERE).
GAS-FILLED PHOTO-CELLS ARE MORE SENSITIVE THAn THE VACUUM TYPE-THE
REASON ron THIS IS THAT THE PHOTO ELECTRONS IONIZE THE INERT sAs IN
THEIR PASSAGE rnon THE CATHODE SURFACE ovzn To THE ANODE- THAT Is, THE
PHOTOELECTRONS FLOW FROM THE CATHODE oven THE ANODE AT SUCH A TREMENDOUS



FAG‘ b souuo PICTJRES
vELocITY, THAT WHEN THEY COLLIEE wITH MOLECULES oF THE INERT GAE, TIFY
BREAK THEsE MOLECULES up INTO THE ELECTRONS AND PROTONS or WHICH THET
ARE COMPOSED- WE cALL THIs ACTION "IoNIzATIoH av coLLIsIoH". THESE EXTRA
ELECTRONS ARE THEN ALso ATTRACTED To THE POSITIVELY CHARGED PLATE, IN
ADDITION To THosE LIBERATED BY THE cATHooE AND THE RESULT I5 THAT THE
PHOT0—ELECTR|C_CURRENT IS INCREASED OVER wHAT IT WOULD BE wITH THE FLow
OF PHOTO—ELECTRONS ALONE» (PHoToELEcTRoHs ARE THE ELECTRONS WHICH ARE E
MITTED FROM THE CATHODE oF THE PHOTO-CELL AND THE PHOTO—ELECTR|C CURRENT
coRREsPoNbs'T0 THE BLATE CURRENT or AN ORDINARY RADIO Tuss.)
NoT ONLY Is THE PHOTO-ELECTRIC CURRENT AFFECTED av THE INTENSITY
oF THE LIGHT DIRECTED uPo~ |Ts cATHooE SURFACE BUT A CHANGE IN THE PO-
TENTIAL APPLIED To THE AHo0E WILL ALso PRODUCE A PRONOUNCED EFFEcT UPON
THIs CURRENT.
THE WESTERN ELECTRIC SYSTEM
Now LET us TURN OUR ATTENTION To THE WESTERN ELEcTRIc SYSTEM oF
PRODUCING souno PICTURES. IN FIs.h, YOU ARE sHowH A PIECE 0F FILM AS us
' 0 1 brages DUE To THE DARK AND
LIGHT SHADING, SIMILAR
To THAT WHEN YOU HOLD
A NEGATIVE CAMERA FILM
FIG'5 AGAINST A LIGHT.
T/2: L/qhé I/a/we far Maw/'eian¢ Pecan!’/‘n9.
A CONTINUOUS Row
0F EQUALLY sPAcEo NOTCHES ARE LocATEo ALONG EAcH EDGE oF THE FILM As
SHOWN IN FIe.h. WE HAVE LABELED THIs As THE“0RIvE TRAcK"aEcAusE SPROCK-
ET coes MESH WITH THEsE HoLEs, so As To PULL THE FILM THROUGH THE PROJE£
TOR.
AHQTHER NARROW sTRIP Is INCLUDED BETWEEN THE PICTURE STRIP AND THE
LEFT DRIVE TRACK AND THIs IS THE SOUND TRACK. THE souwn TRACK CONSISTS
0F A LADDER—L|KE BAND or sHALL LINES AND THIS Is THE FILM souno RECORD.
As YOU wILL NOTE, THEsE TINY LINES IN THE souuo TRACK ARE or CONSTANT
WIDTH BUT THE DENSITY VARIES , THAT Is, SOME PORTIONS ARE BARKER THAN
oTHERs.
THE PITCH OF THESE FILM RECORDED SOUNDS IS REPRESENTED BY THE NUM-
BER OF CHANGES FROM DARK TD LIGHT AND BACK AGAIN IN A GIVEN LENGTH OFTHE



LESSON no.2 PAGE 5
SOUND TRACK, WHILE THE DIFFERENCES IN THE INTENSITY OF SOUND ARE REPRE-
SENTED BY THE DIFFERENCES IN THE DENSITY OF LIGHT AND SHADE ALONG THE
SOUND TRACK- SINCE THE SOUND RECORD IN THIS CASE IS AN ACTUAL PART OF
THE FILM’SYNCHRONIZATION BETWEEN SOUND AND SCENE PRESENTS NO PROBLEM IN
THIS SYSTEM, BECAUSE THE RELATION BETWEEN THE SOUND TRACK AND THE FILM
IS PERMANENTLY FIXED.
THE SECTION OF FILM IN FIG. H REPRESENTS A FINISHED FILM, READY TO
BE RUN THROUGH A PROJECTOR BUT BEFORE WE CONSIDER THIS PART OF THE SUB-
JECT;'YDU W1LL OF COURSE FIRST WANT TO KNOW HOW THE SOUND ON FILM IS OR-
IGINALLY RECORDED.
THE MICROPHONE PICKUP, MONITORING.AND AMPLIFICATION OF THE AUDIO
FREQUENCIES IS TAKEN CARE OF IN THE WESTERN ELECTRIC SYSTEM IN THE SAME
wAv As DESCRIBED RELATIVE
To THE VITAPHONE on DISC R5
CORDING SYSTEM or THE PRE-
wous LESSON. Tn: MAJOR oy-
FFERENCE BETWEEN THESE Two
souuo naconouus SYSTEMS rs
rouuo AT THE RECORDING UNIT
ITSELF.
THE LIGHT VALVE
IN PLACE or THE CUTT-
vuo DEVICE or THE VITAPHONE
sYsT:M,A LIGHT VALVE IS us-
co ron THE souno RECORDING
av THE WESTERN ELECTRIC pno
L ml,” VALVE is SHOWN IN I,-|G_ C'o/1/1:c£/"nu Befween L/5/:25 /a/vg and Am/-v/.
5. Tans ozvncz CONSISTS or DURALUMIN TApz 0.006" wnoz AND 0.003" THICK,
WHICH |s SHAPED INTO AN OBLONG LOOP AND suspsnozo an A PLANE AT RIGHT AN
oL:s-To A MAGNETIC FIELD.
Tu: anus or THE TAPE ARE szcunso AT THE WINDLASSES A5 SHOWN |N
F|o.5 AND IT |s STRETCHED TIGHT av A SPRING-HELD PULLEY ovzn WHICH THE
Loop |s pAsszo. A PAIR or INSULATED PINCERS co~p|u: THE CENTRAL ponrnous
or THE TAPE azrwczu THE w|NoLAss:s AND PULLEY so As To FORM A SLIT op
SPACE or 0.002" BETWEEN THE Two SIDES or THE Loop AT THIS POlNT.$UPPORT-
nus THIS Loop AND THE ADJUSTING DEVICES IS A METAL SLAB WITH A CENTRAL
ELEVATION, wnncn CONSTITUTES THE ARMATURE or AN ELECTROMAGNET. Tn: CEN-
TRAL PORTIONS OF THE DURALUMIN LOOP ARE SUPPORTED on INSULATING BRIDGES
JUST ABOVE THE FACE or THE ARMATURE AND HERE THE snnzs or THE Loop ARE
cznrsnzu oven A TAPERED sLoT.
Tn: Two SIDES AT THE CENTRAL PORTION or THE LOOP CONSTITUTE A sL|T
0.002" HIDE BY 0.256" Lone, WITH ITS snocs LYING IN A PLANE AT RIGHT AN-
GLES TO THE LINES or ropcs AND APPROXIMATELY czurzpzo an THE AIR GAP-THE
suns or THE Loop ARE CONNECTED To THE ouTpuT TERMINALS or THE RECORDING
AMPLIFIER AS'SHOVN an F|o.6,wneR: THE LIGHT VALVE as ILLUSTRATED To ex-
AGGERATED PROPORTIONS FOR THE SAKE or CLEARANCE- Ir THE MAGNET as znqg
onzzn AND THE AMPLIFIER PASSES AN AUDIO rpzousucv CURRENT THROUGH THE



[AGE 6 souno PICTURES
Loop, Tuen Tue LOOP w|LL open on spReAu APART Ann AGAIN cLose |n AccoR-
oAnce w|Tu Tue CURRENT vAR|ATzon THROUGH IT. NOTICE |n F|o.6TuAT we uAve
NOT INCLUDED Tue MONITOR on OTHER ACCESSORIES Ano JUST Tue BACK—BONE or
THE svsreu I5-SHOWN FOR Tue SAKE or s|uPL|c|TY.|r A BEAM or LIGHT as 0|-
RECTED AT Tue CENTRAL PORTION or THE Loop,wueRe we uAve Tue NORMAL sepA5
AT!0N or .O02",|T as oav|ous TuAT Tue LIGHT BEAM pAss|nc THROUGH THIS R5
STRICTION w|LL ae MADE wuoep Ano NARROWER Acc0R0|Ns To Tue openane Ano
CLOSING or Tue Loop. Fon THIS REASON,IT IS CLEAR wuv THIS oevnce as cALL
eo A "LIGHT vALve".
Wuen one 5105 or THE AUDIO wAve opens Tue vALve To 0.00M" Ann Tue
OTHER s|ne cLoses IT coupLeTeLY, THEN FULL MODULATION or Tue APERTURE
on OPENING ms AccoupL|sueo. Tue NATURAL eneouencv or Tue vALve |s seT av
ADJUSTING Tue TENSION or Tue TApe Ano expeulence uAs suown TuAT sesr RE-
SULTS ARE osTA|neo av TUNING Tu|s LIGHT vALve To A epeouencv or 7000 cv-
CLES pen secono. Unoen Tuese cono|T|ons, ABOUT 10 MILLIWATTS or powep
ARE REQUIRED eon FULL MODULATION AT FREQUENCIES FAR AwAv epou RESONANCE
BUT ONLY AaouT 1/100 or THIS powep |s REQUIRED AT THE RESONANT FREQUENCY.
SOUND RECORDING WITH THE WESTERN ELECTRIC SYSTEM
Tue nexT 5TEP rs To see uow Tu|s LIGHT vALve IS useo IN Tue necogg
ING or souno F|LM- A
Source. of Fi\I'Y\
. _ _ , _ M F SIMPLIFIED DIAGRAM oe
Inqhlz Lsqhk beam Lxqh valve ta?  THE WESYERN ELECTFHC
_ souno RECORDING peo-
,— \\ /,- \\\ cess |s suown |n FIG-
— _ “ _ “*; Ymiqe Y AND eon THE PRESENT
’/ \ // . 1
T’ \\ -/ °€ hqht we suALL DEAL ONLY
Ia‘.
// \\
valve
Bwrwez WITH Tuose essenT|AL
.;.-Am, Condensing line _ ‘ PARTS ueue ILLUSTRATED
-.f*l:;;;;,5{ Ob5z=l:|\/e Ens ‘
_.-
_=l , .
 _  AT Tue LEFT or
F1s.7, we uAve oun
Mnmghgng Ampuer _ souce or Lrcur rn THE
F‘6 7 eonu or A RI8BON—FlLA—
M°"’“*°”Z p’°C“$ 5/ 5:’“””/ ‘*'¢*?- MENT TYPE ppooecnon
LAMP Ann THIS rs FOCUSED upon Tue VARIABLE sL1T or THE LIGHT vALve av
ueAns or A conoens|ns Lens SYSTEM.
_4__‘~I'
/4’
\
/
/
Qo
"\
-—?_-Y
Assuu|no eon Tue PRESENT TuAT Tue necopovno AMPLIFIER IS nor YET
|n OPERATION, Tue SLIT or Tue LIGHT vALve w|LL pAss A ~ABEAH~ or 't4GHT,
wu|cu IS 0.002" w|oE Ano 0.256" LONG Ann THIS |s DIRECTED upon An OBJEC-
TIVE Lens , wurcu on TURN FOCUSES THIS seAu WITH A Two-To-one REDUCTION
upon Tue PHOTOGRAPHIC FILM AT THE FAR RIGHT. Tue openans or Tue LIGHT
vALve now APPEARS on THE FILM HALF—SlZE op As A LINE 0.001" wcoe Ano
0.128" LONG, WITH ITS LencTu ee|ne AT RIGHT ANGLES To Tue DIRECTION or
FILM TRAveL.
Now IF Tue uncnopuone CURRENTS ARE AMPLIFIED Ano penurrreo To ACT-
uATe Tue Loop |n Tue LIGHT vALve, THE WIDTH or Tue LIGHT vALve opennno
w|LL VARY AT AUDIO FREQUENCIES Ann Tue SYSTEM |s Tuus ae|ns uoouLATeo.
Tue LIGHT vALve |s now OPERATING As A CAMERA SHUTTER Ano Tue w|oTu oe



LESSON NO-2 PAGE Y
THE LIGHT LINE UPON THE FILM WILL VARY WITH THE souuo cuRHEHTs,wI-IIEH ARE
SUPPLIED TO THE vALvE. IN THIS WAY, THE FILM RECEIVES EXPOSURE TO LIGHT
or FIXED INTENSITY BUT oumms THE VARYING TIME REQUIRED FOR A GIVEN
POINT or: THE FILM T0 PASS THE VARYING OPENING or THE LIGHT VALVE sLIT.
THIS BEING THE CASE, WE FIND THAT AS THE FILM MOVES PAST THE FOCUE
ING POINT OF THE OBJECTIVE LENS, THE CONDENSATIONS AND RAREFACTIONS OF
THE ORIGINAL SOUND WAVES WILL BE RECORDED AS LIGHT AND DARK VARIATIONS,
DUE TO THE CORRESPONDING VARIATION IN EXPOSURE OF THE FILM T0 LIGHT AS
CAUSED BY THE vALvE. '
Dunms TH_E FILMING OF A PICTURE, THE souuu Is RECORDED on A FILM
SEPARATE FROM THAT WHICH RECEIVES THE PlCTURE- TI-IIs PERMITS THE us: oF
TWO MACHINES, so THAT DUPLICATE souno RECORDS CAN BE MADE AND CONSEQUEN-
TLY, IF ONE SHOULD BE DEFECTIVE FOR SOME REASON OR OTHER, THE szcouo
WILL COME IN MIGHTY HANDY- ANOTHER IMPORTANT REASON FOR HAVING SEPARATE
NEGATIVES FOR souuo AND PICTURE Is
THAT THIS PRACTICE PERMITS A SEPAR- Ron cf Wm A,
ATE AND SPECIAL DEVELOPING PROCEDURE
FOR EAcH. THIs Is ESPECIALLY DESlR- Lamphouse \~
AEILE WITH RESPECT To THE Souuo FILM Gears Mcrrar
BECAUSE IT IS NECESSARY THAT THIS I E;¢Id<@1I \ /
L;
FILM as DEVELOPED To UNIFORM |NTEN- V;I,,¢ \»
SITY THROUGHOUT ITs ENTIRE LENGTH, \ ' ‘ T‘ ' ~’ T“ _
IN omen To PROVIDE PROPER s0uNu PRO— . 39, g "  '3 I);-
DRIVEN IN PERFECT SYNCHRONISM WITH
JECTION.
M_'*’ ‘\_
_ Inf __
"bi ,
I 4 1 /
_ _ . E_- _ _ '
,, .
= , » ._ - _
TI-IE souun RECORDING MACHINE Is C,
THE CAMERA AND TD INSURE AGAINST ANY
VARIATION IN THE VELOCITY or THE 
souuu FILM PAST THE LINE or LIGHT EX-  1 ’ I
PosuRE, THE SPROCKET WHICH CARRIES  Fqgm
THE FILM AT THAT POINT IS DRIVEN THRU
A MECHANICAL FILTER, WHICH HOLDS TI-IE
INSTANTANEOUS VELOCITY CONSTANT TO F16. 5
ONE PART IN ONE THOUSAND. M,,,/,'¢,_¢Q,,¢ 5,”,-,4 ,2gwm/=r:
IN FIG- 8, YOU WILL SEE SUCH A RECORDING MACHINE, WITH THE DOOR OF
THE EXPOSURE CHAMBER OPENED SO THAT THE INNER CONSTRUCTION CAN BE OBSER-
{EO- IN ORDER THAT THE OPERATORS OF THE RECORDING EQUIPMENT MAY KNOW THE
QUALITY OF THE RECORDING DURING THE TIME IT IS BEING MADE, A SOUND PICK-
UP DEVICE IS INCORPORATED WITHIN THE RECORDING MACHINE. IN THIS WAY, THE
SOUNDS CAN BE REPRODUCED DIRECTLY AS THEY ARE BEING RECORDED.
THE PICK-UP DEVICE FOR SOUND REPRODUCTION
THIs PICK-UP DEVICE CONSISTS OF A PI-IoTo-cELL, WHICH Is MOUNTED
WITHIN THE EXPOSURE CHAMBER OF THE RECORDING MACHINE BEHIND THE LEFT
HAND SPROCKET As VIEWED IN I-'Is.8. FREsH FILM TRANSMITS ABOUT II% or THE
LIGHT wHIcH STRIKES IT AND so THE BEAM 0F LIGHT PENETRATES THE FILM AS
SHOWN IN FIa.9 AND ENTERS THE wnwow _OF THIS PHOTO-CELL.
THE AMOUNT OF LIGHT, WHICH ACTS UPON THE LlGHT—SENSITIVE MATERIAL



PAGE 8
SOUND PICTURES
OF THE PHOTO CELL,WlLL BE DETERMINED BY THE DENSITY OF THE PORTION OF
THE SOUND TRACK,WHlCH HAPPENS TO OBSTRUCT THE PATH OF THIS LIGHT BEAM AT
ANY ONE INSTANT- THEREFORE, THE INTENSITY OF THE LIGHT ACTING UPON THE
PHOTO-CELL WILL VARY IN DIRECT PROPORTION TO THE LIGHT AND I DARK POR-
TIONS ON THE FILM SOUND TRACK AND SINCE THESE ARE DISTRIBUTED ACCORDING
/0 /nay.
v'~<
§Q\.
I'|'l'|'
TO AUDIO FREQUENCIES, THE LIGHT BEAM ACTING upon THE PHOTO-CELL WILL
Mcan ii / }q\m Condenicr rneouzucv.
cf f1:  7 Tub:
6¢- Ph°£°_GeH THE ELECTRON sn|s-
Ey ~ SION FROM THE PHOT0—CELL'S
_ /, /) § CATHODE WILL INCREASE AND
L"3I‘t j ,  '. 5 DECREASE IN PROPORTION 1'0
b“""\'  I I N ‘ rues: VARIATIONS IN LIGHT
"I INTENSITY,VlTH was RESULT
THAT THE PHOTO-CELL cunn-
__ ENT noes LIKEWISE. Tnus
““' av HAVING A VARIATION or
F|e.9
Man /for//15 P/10/'0 - ce// P/2k — up .
VARY AT A CORRESPONDING
PHOTO-CELL cuansur FLOWING
THROUGH THE 2 MEGHOM a:s|§
TOR OF FIG-9,SIGNAL VOLTA-
sss or connzspononue raz-
QUENCY_ARE DEVELOPED ACROSS THIS RESISTOR AND THESE SIGNAL POTENTIALS
ACT THROUGH THE FIXED CONDENSER AND IMPRESS THEMSELVES ACROSS THE GRID
CIRCUIT OF THE AMPLIFYING TUBE-
Tnssz AUDIO SIGNALS, wnsu APPLIED TO THE GRID CIRCUIT OF THE AMPLI
FYTNG Tuai, uwosaso CONVENTIONAL A.F. AMPLIFICATION A~u’av ADDING ADDI-
TIDNAL AMPLIFYING STAGES, THE SIGNAL ENERGY CAN as RAISED TO A SUFFICIEN
TLY HIGH LEVEL SO AS T0 OPERATE A SPEAKER IN THE CONVENTIONAL MANNER.
THE SPEAKER IN THIS CASE IS IN THE MONITORING ROOM,THE PRELIMINARY
AMPLIFIER or F|c.9 |s LOCATED asnow THE
EXPOSURE CHAMBER or THE RECORDING MACHINE,
AND tn: ADDITIONAL AMPLlfIER |s one SEPAR-
ATE FROM ‘run some THE REGULAR RECORDING
AMPLIFICATION.
RECORDING PRACTICE
In sTu0|o PRODUCTION,THE MIXER open-
ATOR as STATIONED |u THE MONITORING ROOM
AND HE vlzws THE "szr" (STAGE SET-UP) THRU
A DOUBLE w|uoow nu THE sTuu|o WALL AND nu
ADDITION TO OPERATING rue MIXER PANEL ron
COMBINING THE cournnaurnous or SEVERAL un-
CROPHDNE5, HE ALSO CONTROLS THE GAIN OFTHE
AMPLIFIERS ron THE RECORDING MACHINES.
BY MEANS OF RELAY SVlTCHES,THE MIXER
OPERATOR CAN CONNECT THE MONITORING HORN
CIRCUIT EITHER DIRECTLY TO THE RECORDING
AMPLIFIER, AS WAS SHOWN YOU RELATIVE TO Vi



LESSON No.2 PAGE 9
TAPHONE OR DISC RECORDING IN THE PREVIOUS LESSON, OR ELSE HE CAN CONNECT
THE HORN CIRCUIT TO ONE OR THE OTHER OF THE PHOTO-CELL PICK UP CIRCUITS
WHICH WAS DESCRIBED A FEW MOMENTS AGO-
1
DURING THE TIME THAT PRELIMINARY TESTS ARE BEING CARRIED OUT SO AS
TO DETERMINE THE BEST MIQROPHONE POSITION ON THE SET ETC., THE MONITOR-
ING HORN CIRCUIT IS CONNECTED DIRECTLY TO THE OUTPUT END OF THE RECORD—
ING AMPLIFIER. THE PROGRAM IS THEN REHEARSED ON THE SET UNTIL A SATISFAC
TORY ARRANGEMENT OF THE MICROPHONES AND OF AMPLIFIER GAIN IS DETERMINED-
TH: ELECTRICAL cHARA¢T:HIsTIc or THIs MONITORING CIRCUIT IS so 0:-
SIGNED THAT TH: souun QUALITY HEARD IN TH: MONITORING HORNS sHALL a: TH:
SAME As TH: QUALITY To s: EXPECTED
IN THE REPRODUCTION 0F TH: POSI-
TIv: PRINT IN TH: TH:AT:R. TH:
wALLs or TH: MONITORING ROOM ARE A
cousTIcALLv TREATED IN SUCH A wAT
THAT ITS REVERBERATION CHARACTER-
IsTIcs WILL a: THE SAME AS THAT IN
TH: THEATER AND TH: MONITORING LE1
:L Is so ADJUSTED THAT TH: MIXER
OPERATOR HEARS TH: SAME LOUDNESS
THAT H: wouLo wIsH To HEAR rnom
THE THEATER HORNS. IT Is VERY IM-
PORTANT THAT TH: OPERATOR JUDGE
HIs PICK-UP on TH: BASIS or souND
cLos:LY IDENTICAL IN LOUDNESS AND
QUALITY yITH THAT To as H:AHo LAT-
ER IN THEATER REPRODUCTION.
P201: cTcw. BO‘
u>~uT
- '1'uT;uTAlI..!
WITH EVERYTHING ADJUSTED To
TH: POINT DESIRED, TH: OUTPUT or
TH: RECORDING AMPLIFIER IS DISCON-
NECTED FROM TH: MONITORING HORNS
AND Is How CONNECTED To TH: LIGHT
vALv:s or TH: RECORDING MACHINES
AND TH: MONITORING HORNS ARE CONN- Pied] -
:2*::;:I:::;::*:.:::;Ls""Iii: A    W
no FILM IN TH: MACHINE AND AT, A 0'5‘ a”J Eb” E'C°r°6”9'
CONVENIENT LAMP CURRENT, A COMPLETE REHEARSAL Is MADE so As To VERIFY
TH: OPERATION or TH: LIGHT vALv:s AT TH: PROPER L:v:L. FILH Is TH:~ LoA3
:0, TH: CAMERAS AND souuo H:¢onn:Rs ARE INTERLOCKED AND STARTING MARKS
ARE MADE on ALL FILMS EITHER av MEANS or PUNCHES OR ELSE WITH FLASHES or
LIGHT upon TH: STARTING POINT or TH: FILM.
MAGAIIME
THE STUDIO AND RECORDING ROOM SIGNAL TO EACHOTHER BY MEANS OF
LIGHTS AND SO WHEN THE RECORDING EQUIPMENT IS READY FOR ACT|ON,THE REC-ORE
ING ROOM WARNS THE STUDIO BY MEANS OF A LIGHT SIGNAL~ THE LIGHTING EFF‘
ECTS ON THE STAGE ARE THEN PUT INTO OPERATION AND THE STUDIO THEN SIG-
NALS BACK ITS READINESS TO START-
THE MACHINE OPERATORS START THE CAMERAS AND SOUND RECORDERS,BRING—
I um. M;;;u.~= ‘
I 1
Two INTO A SINGLE rTLH,wTTH THE
souno TRACK RUNNING ALONG THE
EDGE OF THE PICTURE PORTION OF
THE FILM As SHOWN IN FTs.h. In
PRINTING THE souun NEGATIVES |~
COMBINATION WITH PICTURES FOR
PROJECTION IN THE THEATEn,|T IS
CUSTOMARY TO FIRST PRINT THE
P4CIUR£~NEGATI¥E,MA$KING (Cc¥ER;
ING) THE sPAcE NEEDED FOR THE
souuo TRACK Ana To RUN THE RE-
SULTING PICTURE POSITIVE _THRU
THE PRINTER AGAlN,TOGETHER WITH
THE souuu ~EsAT|vE,TH1s TIME
MASKING THE SPACE ALREADY PRIN-
TED. In PRINTING THE sou~o ~E§
AT|vE,THE LIGHT IS REGULATED TO
RESULT"1N 35% TRAHsH1ssion or
THE UNMODULATED TRACK AFTER Pqg
ITIVE DEVELOPMENT-
UPON COMBINING THE souno
TRACK w|TH PICTURES UPON A
SINGLE E|LH,THE souno RECORDING
AT THE SIDE OF ANY one PARTICU-
LAR PICTURE FRAME DOES NOT con;
ESPOND To THE ACCOMPANYING PIC-
TURE. To |LLusTRATE TH|s, STUDY
Frs.IO CAREFULLY AND YOU WILL
NOTE THAT WE HAVE LABELED ONE
or THE PICTURE FRAMES (A). THE
souuo Rsconouue T0 CORRESPOND
w|TH FRAME (A) IS AT THE POINT WHICH |s LABELED (A). BETWEEN THEM THERE
as A SEPARATION OF 19 PICTURE FRAMES DR IU.5".
THE REASON FOR USING SUCH AN ARRANGEMENT IS THAT IN THE THEATER
PROJECTOR, THE souun GATE |s LocATE0 IH.5" aELow THE PICTURE sATE,|N OR-
DER To PROJECT THE souun RECORDING AT A POINT WHERE THE FILM IS IN cou-
TINUOUS MOTION. TH|s WILL BE SHOWN MORE CLEARLY DURING oun o|scussao~ or
PROJECTION v:TH THE MOVIETONE SYSTEM.
THE MOTION PICTURE PROJECTOR FOR SOUND ON FILM
IN FTe.11, YOU w|LL sEE A MOTION PICTURE PROJECTORJWHICH-IS EQUIP-



LESSON NO.2 PAGE II
PED FOR BOTH SOUND ON DISC REPRODUCTION, AS WELL AS FOR THE REPRODUCTION
OF SOUND ON FILM- THE INNER CONSTRUCTION or THIS sAME PROJECTOR Is SHOWN
IN F|G.12.
BY REFERRING To FIG.I2, You WILL sEE THAT TI-IE FILM Is THREADED
FROM THE UPPER MAGAZINE PAST THE PICTURE PROJECTOR LENS AND THENCE PAST
THE souuo FILM LENS UNIT AND INTO THE LOWER MAGAZINE. VARIOUS SPROCKETS
AND ROLLERS ARE USED IN sucH AN ARRANGEMENT so THAT THE FILM IS FED THRU
THE MACHINE AT A UNIFORM RATE AND uuocn PROPER TENSION.
NOTICE THAT THE PICTURE LENS IS ABOVE THE SOUND FILM LENS,SO THAT
ANY POINT OF THE FILM MUST PASS THE PICTURE PROJECTING LENS BEFORE ARR-
IVING AT THE SOUND FILM LENS UNIT- OBVIOUSLY, THE SOUND RECORDING MUST
BE ADVANCED AHEAD OF THE CORRESPONDING PICTURE F'RAMES,AS ALREADY DESCRIE
ED, SO THAT 3OUND REPRODUCTION WILL OCCUR SYNCHRONOUSLV WITH THE CORRES-
PONDING PICTURE. E
PI1nI'o<ceII F'Im A
A POWERFUL LIGHT AND LENS SYSTEM PRO— APEFIZOFQ Plaq
/
JECTS THE PICTURE UPON THE SCREEN OF THE ' Lam
TI-IEATER,As THE sounu EQUIPMENT REPRODUCES ‘ / P)
THE sounos IN SPEAKERS LocATEo BEHIND THE ‘
A
SCREEN. ,
LZHS
souwo REPRODUCTION Window A"'L“'“
CONSIDERING THE SOUND PICK-UP DEVICE Lamp
or FIG.I2 IN GREATER I:IETAIL,wE sEE rII=IsT THE B F"-“N Lens I
"ExcITEI= LAm>".TIIIs Is A SMALL INCANDESCENT S
LAMP, wmcu HAS A RELATIVELY HIGH CURRENT ‘ 1
AND Low VGLTAGE cAPAcITY,coI~IsuMING eETwEE~}2 ' 
AND Y5 wATTs. THE CURRENT FOR LIGHTING THIS T ‘
FILAMENT MUST EE A PURE DIRECT CURRENT BE- IA/M aP,,Iu,.e I
Windcvw
cAusE ANY VARIATION IN THE CURRENT wILL Lani
cAusE A CORRESPONDING CHANGE IN THE PMoTo-EL
EcTRIc CFLL CURRENT. THAT Is, IF A 60 CYCLE L 5 f FIe@§ ,
A.C. SUPPLY WERE USED FOR THIS LAMP,ITs FlL- ‘"5 17‘7”5 %f‘d '”
AMENT WOULD cooL AND HEAT up ALTERNATELY AT Ah'7‘f°”e rbbzgri
THE RATE or I20 TIMES PER SECOND AND ALTHOUGH THESE CORRESPONDING VARIA-
TIONS IN LIGHT INTENSITY WILL BE UNOTICEABLE TO THE HUMAN EYE, YET THEY
ARE READILY DETECTED BY THE PHOTO-CELL, WITH THE RESULT THAT A I20 CYCLE
ROAR WOULD BE EMITTED av THE sPEAKERs. In FAcT, EVEN THE ARMATURE RIPP-
LEs or A D.C. GENERATOR ARE REPRODUCEO BY THE PHOTO-CELL, IF usEo As THE
FILAMENT SUPPLY FOR THE EXCITER LAMP.BATTER|ES ARE THE SOLUTION To THIS
PROBLEM.
TI-IE NEXT THING IS TO FOCUS THIS LIGHT OF THE EXCITER LAMP upon THE
souuo TRACK or THE FILM AND THIS IS ACCOMPLISHED av THE souun FILM LENS
UNIT or FIG.12.
TI-IE DETAILS or sucu A LIGHT FOCUSING ARRANGEMENT ARE snovu IN FIG.
I}. Oun OBJECT now IS To IMPRESS A sMALL SHARP RECTANGULAR SHAPED GEAM
or LIGHT UPON THE sounn TRAcI< or THE FILM. THE EAsIEsT wAv 70 no THIS Is
ILLUSTRATED AT "A" OF FIG.1}, WHERE wE HAVE AN "APERTURE PLATE" PLAcEo

" IN ‘wn
DTH IS CUT IN THIS
BY MEANS or A
SUITABLE LENS, THE
LIGHT FROM rue zxc|1cn
LAMP CAN as rocuszo u-
PON THIS SLIT AND ruus
PENETRATE THE FILM
souno TRACK IN rue
SHAPE or A SMALL NARR-
ow RECTANGLE-THIS M215
OD,HOWEVER, |5 nor Pni
CTICAL BECAUSE A SLIT
As THISQWITH AN AREA
or ONLY ABOUT 0.0001
So. IN-,CANNOT as KEPT
FREE rnon FOREIGN MArl
ER ron ANY LENGTH or
run: wucn PLACED CLOSE
AGAINST A RAPIOLY HOV-
nne FILM.
Fon THE REASON
MENTIONED, THE svsrcm wAs IMPROVED TO THAT snown AT "B" or F|e.1}. In
runs cAs:, THE APERTURE SLIT |s novso AwAY rnon ITS :xPos:u POSITION
NEAR THE FILM, |r |s SEALED w|1u|u A LENS svsrzn, MADE CONSIDERABLY wng
an AND LONGER AND THEN OPTICALLY REDUCED TO A LIGHT RECTANGLE or 0.001"X
0.1" on tn: FILM av MEANS or THE svsrsn OF LENSES- Tuus tn: RESULT IS
THE SAME AS OBTAINED AS WITH THE CLOSE~UP SLITSYSTEM BUT WITHOUT ITS DI§
ADVANTAGES-
THIS NARROW BAND OF LIGHT, WHICH I5 THUS FOCUSED UPON THE FILM
SOUND TRACK, WILL PENETRATE THE FILM AND THEN BE DIRECTED AGAINST THE
LIGHT-SENSITIVE ELEMENT OF A PHOTO-EL ECTRIC CELL
AND THE ‘INTENSITY OF THIS LIGHT,WHICH IS PASSED
BY THE FILM HILL OF COURSE BE GOVERNED BY THE DEN
SITY OF THE SOUND TRACK,WH|CI-I I5 EXPOSED TD THE
L IGNT.
THl$ PHOTO-CELL us COUPLED To A Pncx-up AM-
PL|r|:R,As ALREADY snowu YOU IN F:s.9 or rnrs
LESSON, AND rnus THE PHOTO-CELL cunnzur HILL VARY
ACCORDING to THE LIGHT AND DARK PORTIONS on tn:
rnnn souuo TRACK- Iu 1n|s wAv, LIGHT VARIATIONS
or AUDIO rneauencv ARE CHANGED '”iWTO ELECTRICAL
cuancur VARIATIONS or connsspononns Fnzaucucv.
Tu: FHDTO~CELL PICK—UP AMPLIFIER |s sausa-
ALLV azrsnnza TO As A "Pzcn AMPLIFIER". THIS AMP-
LIFIER USUALLY CONSISTS or rwo on THREE STAGES or
CASCADE AMPL|FlCATION,USING VARIOUS TYPES OF sou:
LING, BUT RESISTANCE-CAPACITY COUPLING PRODUCES
Sound I:I'7c.L ‘;";:‘:;':
' /


LESSON no.2 PAGE 1}
THE BEST REsuLTs. THE CURRENT usED FOR OPERATING THE PECK AMPLIFIER HDET
BE PURE D.C , SUPPLIED EITHER av STORAGE BATTERIES DR DRY cELLs. DuE T0
THE FEEBLE CURRENT FROM THE PHOTO—CELL, THE PECK AMPLIFIER HAS To MAGNI~
rv |T FROM ABOUT 100 TO 200 T|MEs AND THEREFORE ANY VARIATION aw THE P0!
ER SUPPLY FOR THIS AMPL|r|ER, NO MATTER How LITTLE, WILL BE REPRODUCEO
AT GREAT VOLUME BY THE SPEAKERS.
Iw FIG. TH, YOU WILL sEE THE LAYOUT FOR THE REPRODUCTION or souwa
FROM FILM. Two PROJECTORS ARE REQUIRED IN THE PROJECTION sooTH,THE sAME
AS FDR DISC RECORDINGS 0R EVEN FOR SILENT PICTURES FOR THAT MATTER. No-
TICE How THE Exc|TER LAMPFOR EACH PROJECTOR IS SUPPLIED w|TH BATTERY FIL
AMENT CURRENT AND How EAcH or THE PHOTO-CELLS FEEDS INTO A PEEK AMPLl-
FIER- BoTH or THEsE PICK-UP AMPLIFIERS FEED INTO A EADER, THROUGH WHICH
THEIR ENERGY PASSES INTO THE MAIN AMPL|F|ER. THE MAIN AMPLIFIER THEN RA§
SES THE AMPLIFIED AuD|o CURRENTS THROUGH THE HUGE sPEAKERs,wH|cH ARE LO-
CATED BEHIND THE SCREEN upon WHICH THE PICTURE |s BEING PROJECTED. THE
SOUND THUS APPEARS TO THE AUDIENCE As COMING FROM THE REPRODUCTIONS on
THE SCREEN. A MONITOR HORN IS LOCATED IN THE BOOTH FOR THE 0PERATOR'S
USE.
To Amp]. Lamp___}
THE FILM IS RUN THROUGH THE Lhh£_¢°P :=;'t
PROJECTION MACHINE AT THE RATE or ' / 1 K :
90 FT- PER MINUTE AND |T IS ESSEN- M;"Or <1 _ W '5;
TIAL THAT TH|s SPEED BE KEPT CON— i 45) A
sTA~T,As oTHERw|sE THE PITCH OF _D~ ;u",_“
THE SOUND WILL CHANGE IN THE sAME ‘Q’ _ _ ,<
MANNER As WHEN THE sREEo or A F'HO§ ‘  D
OGRAPH TURNTABLE vAR|Es.As A RuLE, S:;_/
A LARGE FLYWHEEL IS DIRECTLY COUP- _
LED To THE FILM FEED SPROCKET FOR mg: AP¢'*W? PF*¢§' ’f
THE PURPOSE or INSURING A STEADY om“5"'!e“5
ROTATION or THIS sRRocKET,so THAT ;|G_|g
THE FILM WILL BE cARR|ED PAST THE
BEAM OF LIGHT FROM THEExc»TER LAMP
AT A CONSTANT SPEED-
Phnéo/:/mr/= /€¢¢ara’/Hg Dc»/ice.
THE PHOTOPHONE SYSTEM
Now LET us TURN OUR ATTENTION To THE PHOTOPHONE SYsTEM or“ souno
RECORDING ON FlLM- A SECTION or FILM, As usED ev TH|s svsTEM, IS SHOWN
IN F|c.15 AND As A wHoLE, IT IS QUITE s|M|LAR To THE Mov|EToNE FILM IN
THAT IT HAS A SOUND TRACK rm CONJUNCTION WITH THE PICTURE sTR|R.THE PHOI
OPHONE SOUND TRAEK, HowEvER, IS or THE CONSTANT DE~s|Tv,vAR|AELE w|DTH
TYPE AND THE DEGREE OF SHADING |s THE sAME BUT A VARIABLE PORTION OF THE
souuu TRACK IS DARKENED.
|N PRODUCING A PICTURE WITH THE PHoToPHoHE SYSTEM, THE MICROPHONE
PICK-UP, MONITORING, AMPLIFYING ETC- |s ALL CARRIED OUT IN THE sAME MAN£
ER As WITH EITHER DISC RECORDING OR Mov|ETo~E RECORDING. ALL or THEsE 51
STEMS DIFFER FROM EACHOTHER MATMLY AT THE RECORDING DEv|cE ITSELF AND
THE RECORD!NG UNIT, As usEo WITH PHoToRHo~E, as DIFFERENTFROM ANY so FAR
snow" vou. THE PHoToPHoHE RECORDER I5 CLASSIFIED As A VARIABLE AREA RE-
CORDER AHD IT IS DIAGRAMATICALLY ILLUSTRATED IN F|s.16.



fAsE IR souno PICTURES
THE RECORDING UNIT FOR THE PHOTOPHONE SYSTEM
WE coMMEncE In FIs.16 WITH oun SOURCE oF LIaMT,wMIcM IN THIS cAsE
Is A LAMP OPERATED AT HIGH BRILLIANCY FROM A 6 To 8 VOLT STORAGE BATT-
ERY. A SPHERICAL LEns "A" FocusEs THIS BEAM or LIGHT THROUGH A MoLE In
THE "LIGHT-STOP" WHICH SERVES As A FRAMING oEvIcE. TME BEAM or LIGMT,
WHICH PASSES Tnnoucn THE OPENING oF THE LIGHT-STOP Is DIRECTED TOWARDS
ANOTHER SPHERICAL LEns "B" Ano THIS LEns IN TURN FocusEs IT upon A
sMALL MIRROR, wMosE DIMENSIONS ARE AsouT V20 or An INCH on A sIoE.
TMIs MIRROR REFLECTS THE LIGHT BACK THROUGH LENS "B" AT An AncLE;
As snown av THE Annows, Ann THE BEAM Is THEN DIRECTED THROUGH THE sno-
ovE or A scALE uPon WHICH THE AMPLITuoE oF RECORDING cAn LATER BE MEAs-
uREo. THE LIGHT BEAM CONTINUES THROUGH A CYLINDRICAL LENS "C",A SPHER
IcAL LENS "D", Ano THENCE THROUGH A NARROW sLoT In THE APERTURE PLATE?
THE OBJECTIVE LENS GENERALLY MAs A REDUCTION RATIO or U TO 1, so
’V&ra%r ad_ £ L ITHAT IF TME_sLIT IN THE APER-
- J“‘ m="* TURE PLATE Is 0.320" av 0.00h",
Mrc, TME IMAGE PRODUCED on TME FILM
a&uHmn{ wILL as 0.080" av O.O01".TMAT Is,
THIS sMALL RECTANGLE or LIGHT u-
PON THE FILM WILL BE 0.080" LONG
(HORIZONTALLY wITM RESPECTTO THE
FILM) Ano 0.001" wIoE, Ano THIS
WILL PRODUCE A souno TRACK 0.080"
wIoE, WHICH Is cLosE To THE sTAn
DARD WIDTH USED IN PRACTICE.
,_AUDJD,MODULAI!ON WIT
1
P
m
x
H
I TME TInv MIRROR Is cEMEn-
;|G ;7' TED To Two sIoEs or A WIRE LOOP
,q,,,,',,y,,-,,,/,4qI,1,,-15,-r,¢,,;é;(,7/%/1¢@,¢,,,-,/a- Ano THIS WIRE LOOP Is STRETCHED
TAuT AT RIGHT AneLEs TO A MAG-
NETIC FIELD. THE Enos or THIS LOOP ARE CONNECTED To THE OUTPUT TERMIN-
ALs or THE RECORDING AMPLIFIER AND THEREFORE wMEn THE AuoIo FREQUENCY
CURRENTS FLow THROUGH THE LOOP, THE RESULTING VARIATIONS In ITs MAGNET-
Ic FIELD wILL REACT WITH THE PERMANENT MAGNETIC FIELo so As TO Faooucz
MoTIon. TME MOVING PART In THIS cAsE Is THE WIRE LOOP wITM ITS ATTAcMEo
MIRROR AND wITM TME LOOP TURNING BACK Ano FORTH on VIBRATING AsouT A
VERTICAL AxIs In DIRECT STEP WITH THE AuoIo FREQUENCY CURRENT VARIA-
TIONS THROUGH IT.
TME WIRE LOOP Is STRETCHED TO TME POINT WHERE THE RESONANT VIBRA-
TING FREQUENCY Is ABOUT 7000 cYcLEs. TMIs ENTIRE VIBRATING SYSTEM, con-
SISTING or TME LOOP WITH ITs M|RoR, Is MOUNTED IN A cAsE CONTAINING A
DAMPING FLuIo, wMIcM Is GENERALLY A MIXTURE or CASTOR OIL Ano TuRPEn#
TINE. TME LENS "B" SERVES As THE wInnow 0F TME FLUID-FILLED CELL IN
wMIcM TME MIRROR IS MounTEo Ano THE FLUID Is CHANGED EVERY FEw MonTMs,
so THAT IT Is ALwAYs TRANSPARENT To THE LIGHT In THE THIN LAYER INTER-
POSED aETwEEn THE MIRROR Ann LEns "B". In REALLITY,TMIs DEVICE IS no-
THING MORE TMAn An oséILLocnAPM, WHICH Is A LABORATORY INSTRUMENT usEu



LESSON No.2 PAGE I5
FOR THE RECORDING OF ALTERNATING CURRENTS-
THE ARRANGEMENT I5 SLIGHTLY TILTED IN PRACTICE, so THAT THE LIGHT
REFLECTED av THE MIRROR WILL CONTINUE ALONG THE AXIS TOWARD THE FILM As
SHOWN m F|c-.16.
RECORDING WITH PHOTOPHONE SYSTEM
THE WHOLE SYSTEM IS LINED UP, SD THAT ONE EDGE OF THE HOLE IN THE
LIGHT STOP IS IMAGED IN THE MIDDLE OF THE SOUND TRACK ON THE FILM WHEN
THERE IS NO INPUT TO THE MICROPHONES AND WHEN THE MIRROR IS IN ITS NEU-
TRAL POSITION. IF THE FILM IS MOVED PAST THIS RECTANGULAR BEAM OF LIGHT
AT A CONSTANT SPEED OF 90 FT- PER MINUTE WITH NO SOUND IMPINGED UPON
THE RECORDING MICROPHONE, THEN THE RESULTING RECORD AFTER OEVELOPEMENT
WOULD APPEAR AS A DARK BAND ON THE SOUND NEGATIVE, COVERING HALF THE
WIDTH OF THE sounu TRACK.
Now WHEN THE H|cRoPHo~E,AH-
PLIFIER ETc. ARE IN 0PERATION,THE
AUDIO FREQUENCY CURRENTS WILLFLOW
THROUGH THE WIRE LOOP, THEREBY
CAUSING THE LOOP AND ITS ATTACHED
MIRROR To OSCILLATE ow ITS PIVOT-
TH|s MOVEMENT or THE MIRROR IS IN
DIRECT STEP WITH THE AUDIO FRE-
QUENCY CURRENTS FLOWING THRU THE
LOOP AND THE MIRROR WILL DEFLECT
THE BEAM RAPIDLY T0 ONE SIDE AND
THE OTHER,THUS CAUSING THE LIGHT
IMAGE ou THE FILM To VARY IN
WIDTH ACCORDING To THE AUDIO FRE-
QUENCIE5 WHICH ARE aznwe RECORDED.
THAT us, THE sounn TRACK WILL BE
OF VARIABLE WIDTH As ILLUSTRATED 7Z= (Em /e/e ,4>-sem/S/ea @¢¢=»—d=r_
IN F|s.‘I§. /0
FIG.15
THE HOUSING AND ADJUSTMENT DETAILS FOR THE MOVEMENT,WHlCH REC-
ORDS THE LIGHT VARIATIONS ON THE FILM, ARE SHOWN IN FIG-I7,WHEREA5 THE
MOVEMENT AND ITS ASSOCIATED APPARATUS IN THE COMPLETELY ASSEMBLED Hecog
DER IS snown IN F|a.18.
IT REQUIRES SKILL TO ADJUST THE VARIABLE AREA TYPE OF RECORDER AS
JUST DESCRIBED. THE WHOLE SYSTEM MUST
ATELY, SO THAT THE BEAM OF LIGHT WILL
I6- THIS I5 ACCOMPLISHED THROUGH THE
BE LINED UP AND FOCUSED ACCUR-
FOLLOW THE PATHS INDICATED IN FIG-
USE OF A SERIES OF ADJUSTING
SCREWS.
- THE WIRE LOOP IS ROTATED BY ONE OF THESE ADJUSTMENTS AND IT IS
SET, SO THAT THE LIGHT REFLECTED BY THE MIRROR COVERS JUST ONE-HALF OF
THE SOUND TRACK- THE EDGE OF THIS LIGHT BEAM WILL THEN COINCIDE WITH AN
INNER VERTICAL LINE ON THE SCALE, WHOSE POSITION IS SHOWN IN FIG. I6.
WITH THE SYSTEM BEING MODULATED, THE AMPLIFIER GAIN MUST BE SO ADJUSTED
THAT WITH THE MIRROR OSClLLATING’THE SPOT OF LIGHT SHOULD NOT EXTEND BE



PAGE I6
YOND
THEN
TONE QUALITY-
THE SCALE DURING THE LOUDEST PORTION or THE RECORDING- IF IT ooEs,
THE SYSTEM Is BEING "ovER-MonuLATEn$ WHICH CONDITION HILL sPoIL THE
IN RECORDING;THE PHOTOPHONE SYSTEM USES ONE MACHINE FOR PHOTOGRAPHY
AND A SEPARATE MACHINE FOR SOUND RECORDING, EACH HAVING ITS OWN FILM BUT
BEING SYNCHRONOUSLY DRIVEN. THE STARTING POINT OF EACH FILM IS MARKED;
AND THEY ARE THEN COMBINED INTO ONE DURING THE DEVELOPING PRQCES5;IN THE
SAME MANNER AS DESCRIBED RELATIVE TO THE MOVIETONE SYSTEM. HERE,TO0, THE
SOUND PRECEDES THE PICTURE BY ABOUT IH.5 INCHES; SO THAT THE THO WILL BE
REPRODUCED SIMULTANEOUSLY DURING PROJECTION OF THE FILM IN A THEATER.
IN THE PROJECTION OF SOUND AND SCENE WITH THE PHOTOPHONE SYSTEM;THE
sAHE PROCESSES ARE INVOLVEDAS DESCRIBED
THAT Is, THE SAME PROJECTOR cAN BE USED
ENERGY STRIKING THE PHOTO-CELL THROUGH
VARY IN PROPORTION To THE WIDTH or THE
THEN, SINCE THE HIQTH OF THE
AUDIO FREQUENCIES, THE LIGHT
RESPONDING FREQUENCIES; AND
CELL CURRENT. THEREFORE, BY
SPEAKER SYSTEM As USED HITH MovIEToNE,
RECORDING FROM PHoToPHoNE FILM-
EXAMINATION
VARIATIONS
RELATIVETO THE MOVIETONE SYSTEM.
FOR EITHER SYSTEM, BUT THE LIGHT
THE PHOTOPHONE SOUND TRACK, HILL
SOUND TRACK AT ANY GIVEN POINT.
SOUND TRACK VARIES ACCORDING TO THE RECORD
PASSED BY IT WILL VARY AT COR-
THE SAME IS TRUE VITH RESPECT TO THE PHOTO-
MEANS OF THE SAME SOUND AMPLIFYING AND
HE CAN ALSO REPRODUCE THE SOUND
QUESTIONS
LESSON NO. SP-2
Ir A BATTERY AND A SERIES RESISTOR ARE CONNECTED ACROSS
THE TERMINALS or A PHOTO-ELECTRIC CELL so THAT A PosITIvE
POTENTIAL Is IMPRESSED UPON THE ANooE or THIs PHOTO ELEC-
TRIC cELL, THEN UHAT occuns IF A LIGHT or INCREASING
INTENSITY Is DIRECTED UPON THE cATHonE or THE cELL?
WH|cH Is MORE sENs|TIvE,A VACUUM TYPE PHOTO-ELECTRIC cELL
on A GAS—FILLED PHoTo-ELEcTRIc EELL?
ls THE SOUND TRACK ON THE MovIEToNE FILM or THE coNsTANT
DENSITY AND VARIABLE HIuTH TYPE?
WHAT IS THE PURPOSE or THE LIGHT vALvE IN THE MovIEToNE
RECORDING SYSTEM?
WHAT IS THE EXCITER LAMP or A “souNo-0N-PILH" PROJECTOR
uszo Fon?
WHEN MAKING THE SOUND—0N—FlLM RECORDING; Is THE SOUND RE-
CORDED DIRECTLY UPON THE sAHE FILM wHIcH Is RECEIVING THE
"PIcTuRE"?
WHAT TYPE or souno TRACK Is USED ON THE PHoToPHoNE TYPE
FILM?
EXPLAIN How THE sounn cAN BE REPRODUCED DIRECTLY FROM THE
sounn FILM G'THE MovIEToNE SYSTEM ASRECORDING PROGRESSES?
How ARE THE SOUND MODULATIONS RECORDED on THE FILM or THE
PHoToPHoNE SYsTEH? -
CAN THE sAHE MOTION PICTURE PROJECTOR aE USED FOR THE RE-
PRODUCTION or SOUND AND scENE FROM EITHER A MovIEToNE on


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